playwriting secrets

Were you ever in a play? Most of us have tried our hand at acting at some point in our life. For the majority of us, it was in elementary school. Some of us volunteered or auditioned for roles in middle and high school productions. The brave and bold out there, they went to college and took acting classes. Whether we found it fun or nerve wracking, most of us have been in a play at least once. According to SoYouWanna.com, every stage play has a beat. Actors learn about the beat early on in their careers, and they work with beats on every production they undertake. SoYouWanna.com says a beat is “that moment in a scene when something big happens, when stakes are raised, when characters confront their foes and win. Or lose… It’s a given that a play won’t crackle and keep audiences on their toes unless it has commanding beats.” Copywriting Secrets: What Play Beats Can Teach Copywriters Play beats are written by none other than writers who specialize in playwriting and scripts. Every theatrical production is composed of beats, whether it’s a Broadway play or a big Hollywood production. SoYouWanna.com goes on to reveal that a good beat is made up of five specific keys: Action Obstacle Event Stakes Strategies If you dabble in copywriting (or even creative writing), I’m willing to bet your brain is buzzing right now. Don’t these five keys sound just a little familiar? Obviously, they aren’t identical to the primary keys we follow when writing copy. Nonetheless, I’m willing to bet you’re drawing comparisons to the five keys of copywriting: Grab attention Overcome objections Present the benefits Tell them what they stand to lose (or gain) Issue a call to action As you can see, we have the potential to learn a lot from the “tricks” of playwriting and big screen script writing. But before we dive into the parallels and review a few vital secrets, let’s first talk about the biggest swaying point of films, plays, television and writing: the audience. The TV Audience versus Your Audience In regards to television, Steve Jobs said, “I think it’s brought the world a lot closer together, and will continue to do that. There are downsides to everything; there are unintended consequences to everything. The most corrosive piece of technology that I’ve ever seen is called television – but then again, television, at its best, is magnificent.” What makes a television program undeniably magnificent? Not everyone is a fan of Hallmark movie productions. You know what I’m talking about. Those Hallmark feature films, the ones that air on a special night on your local television station, usually right around a holiday. In fact, I know some guys who won’t hesitate to labels these feature films as “sappy chick flicks,” and they do everything in their power to get out of watching them with the girlfriend or wife. But when they fail to escape a Hallmark movie night, do you know what inevitably seems to happen? They’re usually caught quickly wiping away a tear at some point, pretending it never happened. Why? The program touched them. It reached them. They connected to it, and they felt something. They felt something so strong that it evoked a physical reaction. Successful television productions, the ones that stand out as award winning material, all have one rudimentary thing in common: they reach out and touch the audience. Successful copywriting projects, the ones that scream awesome and go viral, also have one rudimentary thing in common: they reach out, touch the audience and move them to action. The primary focus of both industries is the audience. Let’s face it, without the undivided attention and backing of the audience, every production would inevitably be a lost cause. Content is useless if no one wants to read it, just like a play, movie or television program isn’t worth production costs if no one wants to see it. The Secrets of Great Writing Steven Spielberg, unarguably one of the greatest movie directors of our time, once said, “It all starts with the script: it’s not worth taking myself away from my family if I don’t have something I’m really passionate about.” It’s amazing what passion can do. It reaches deep down into the depths of our core. It motivates us. It has the power to temper or amplify our reactions. It can be like jet fuel! So, what prodigious secrets does great writing from the big screen reveal? The first secret we can glean from the big screen is that if it lacks passion, it’s not worth doing. The first key to awesome copywriting is grabbing attention. How do we accomplish this? Like the playwriting beat, we start off with a little action. We infuse a little passion. We take our excitement and transform it into a hooking introduction that cascades down into the headings and paragraphs. The infusion of passion, a strong and basic emotion, is the perfect means of instantly establishing a connection with our all-important audience. It’s important to point out that just as a beat holds the audience’s attention throughout a theatrical production, the writing of copy needs to likewise hold attention. It can’t start out amazing and then vanish. The audience will vanish right along with it. Steven Spielberg offers another piece of advice that applies, “The public has an appetite for anything about imagination – anything that is as far away from reality as is creatively possible.” Now, the world of copywriting revolves around content that is usually educational, factual, informative and designed to promote a certain way of thinking or something for sale. How is Spielberg’s advice pertinent? A key means of holding the audience’s attention is through storytelling. Nine times out of ten, you’re relaying a true story, but the mere fact that it’s a narrative story connects the audience through the most motivating mental power known to man: imagination. Don’t underestimate this! The second secret is all about overcoming. For playwriting, … Read more